BEST FIREWIRE AUDIO INTERFACE FOR LOGIC HOW TO

Why was this happening? A common tabletop form-factor for an audio interface. There was a lot of reverb, noise, and some distortion when the amplitude was increased. I confirmed the mic was receiving the signal, passing it through the interface and on to Logic Pro X, where we then recorded it.Īnd just as described, it sounded horrible. The next night, my brother and I ran over to Koi's home and I started investigating while they set up the guitar, amp, mic, and stand just as it was before when the bad signal was coming through. I'm using the same Shure SM57 and cables I've used tons of times to record elsewhere so I know nothing is wrong with them. When I record on it, my tracks sound real distant and have a lot of noise in them.

I just bought the best audio interface I could afford. I'll explain what was happening and how I solved it, which includes the general tutorial on setting up your audio interface. This question comes from a real life guitarist friend who finally bought his first interface and couldn't figure out what was happening when he'd press record. I remember having to deal with this my first time ever recording around 18 years ago. And that's what happens when you decide to start recording your own songs or covers. Being a musician usually involves learning an instrument and some music theory, of course.īut rarely do we anticipate needing to learn our way around computers to enhance our hobby.

BEST FIREWIRE AUDIO INTERFACE FOR LOGIC HOW TO

Our most recent question that was generalizable enough to benefit the entire community is a very fundamental hurdle that nearly everyone runs into: how to use an audio interface.

Best firewire audio interface for logic